I love fabric. I really do. And walking around a giant penthouse filled with fabric samples makes me downright giddy, it really does. But it's exhausting, and maybe I'm missing something as far as organization goes (could happen), but personally, I think the LA Textile Show is poorly laid out. I don't understand why everything is thrown into the mix, and not organized by fabric type? I love walking the show, but the vast majority of fabrics do not apply to my purposes, so I walk in circles constantly. And then finding my way out of the maze...I got lost more than once. This happens to me all the time when I go!
But okay, I did it and I loved it! Here are some things you might know, might not know, don't really care about, or are indifferent about:
::Michael Miller is no longer carrying the heavy weight canvas prints. Bum-mer.
::However, Michael Miller will be a distributor for Modern Flora. Ye-ah!
::Found new prints for lavender liners there and ordered more dots, which I can always use.
::Found myself a little peeved with Alexander Henry. They have a great new line of heavier weight canvas prints - great, right? Well, 3/4 of them are sold out right now. And before you go thinking, "Oh, that's no problem, they'll reprint." let me just say, "hold on Nelly, not so fast." I learned this the hard way with AH.
In October 2006, I ordered more Cowgirl print at the show. They happily took my order, and it wasn't until 2 weeks later that I got a call from them saying it was out of stock and on backorder. Backorder - how long can that take? Well, at the time, they had 200 yards on backorder; they wouldn't go back into reprint until they had at least 1200 yards, on backorder! I thought, "Hmm, well, I want the fabric, I can wait." My 15 yard bolt was delivered in August 2007, almost 10 months after my initial order.
So when I saw the heavy canvas, I got excited, but then pissed off when I found out what the status was. Why, oh why, do they show a fabric that is not available? And some of it wasn't even going back into production - it was gone forever!
Here's the problem with this: [Most likely] you are sourcing for a market, like the Gift Show or other trade show. You find your fabric; you buy a small quantity for samples; you have your samples made; you go to market; you take orders (trade show orders = retail buyers) for that item in that fabric, and then go back to the fabric manufacturer to purchase higher yields of fabric for production, but find out they don't have enough, or it's on backorder! You are f*cked. Sorry for the emotion - but that's how I felt standing there listening to them tell me that fabrics they were showing weren't available [at least I had the sense to ask about availability this time].
I'm not sure I can count on them anymore; maybe for smaller stuff, but not for fabric I really need in a big way. I did find what I was looking for elsewhere, and made my way out of the maze. Most of the manufacturers are very nice and will spend time educating you if you have questions about productions and lead times. It's always a learning experience, but I'm getting more comfortable in my skin there.
Also! Lisa Lam has a fantastic post today over at Craft Boom on what to do when people say your handcraft is too expensive - check it out!